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Cyberpunk Day in LA with Bruce Sterling

Thursday, April 30th, 2015

The Rudy Rucker Podcasts feed has my talk on my Journals from May 1, 2015. Click the icon:

Video of the USC Cyberpunk day panel is still to come.
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My April 30, 2015 blog post:

I’m giving a talk about my Journals 1990-2014 on Friday night at 7:30 above Logos Books in Santa Cruz. Details in this image below. “Santa Cruz College” is just a manner of speaking, the sponsoring group isn’t “really” a college.

Last weekend I was at the University of Southern California in LA for a day of talks, panels, and workshops about cyberpunk. My old pal Bruce Sterling was there too, also Mark Pauline of SRL, famed for his “bad robots.” The pioneering VR maven Scott Fisher—now a film school dean at USC—hosted the event, and eventually his group will be posting some video.


[Photo by Karen Marcelo]

In the afternoon they played a “Techologies of Cyberpunk” compilation video with about a hundred clips from Hollywood movies showing people’s minds being removed from their brains and/or being implanted into robots.

I like to claim that my 1982 book Software was the first SF novel to talk about this precise idea—although sometimes people argue with me about this. Somewhat in the same ballpark, the ancient movie Metropolis has a cool scene with a woman’s body-shape being copied onto a robot in a lab amid showers of Tesla coil sparks.

But I do think Software was the first novel where (a) A human’s mind is extracted and stored on a computer, and then (b) The mind is copied onto a robot body. (I once got involved in a comment thread debate on this somewhere on this blog, but I can’t find that thread today.)

I’m issuing a new second edition of my Complete Stories this week, including all my stories from 1976 right up to 2014. You can browse the whole book online, and you’ll find buy links there as well…it exists in Kindle, generic EPUB ebook, and in (two volume) paperback form.

In LA, we stayed in the downtown Standard hotel. The downtown of LA is a lot livelier than it was a few years ago. A few blocks are as bustling as Manhattan, and with all these 1950s tan-brick office buildings. The LA Library is very cool, with weird languages on the front steps.

Bruce and I took a walk one morning, and were pleased to see a movie shoot in progress. The extras and the two actors were fleeing from something up in the sky, maybe a monster, maybe a UFO. The cameraman was using, incredibly, nothing but a Canon 5D SLR camera, mounted on a rack with a good directional mic. Another few years you’ll be able to make hi-def movies of your life, just walking around with a “third-eye flat-cam” on your forehead.


[Photo by Bruce Sterling]

We came across a huge wall of conduit pipes—later someone told me the pipes are stuffed with internet fibers. Like an Aztec monument, kind of.

We also saw a cool poster advocating quake preparedness. Note that those cracks in the ground spell “QUAKE.”

Bruce and I were basically taking pictures of all the same things. Similar sensibilities. Great to see him. He gave a good talk on cyberpunk at the meeting, saying something about the style being characterized by crammed sentences and eyeball kicks…and then he somehow got into a rap about Lafcadio Hearn, an expat writer like Bruce.

Bruce has a good Tumblr blog going these days…the pictures kind of clarify his in-person word avalanche.

Dig these rails laid down for a dolly camera shoot. Stairway to the heaven of media omnipresence.

Harking back, here’s a nice water tank I saw near Occidental, California, a few weeks ago.

Another shot of me and Chairman Bruce, this one by Scott Fisher.

And here’s Bruce, USC Prof Henry Jenkins, and Scott Fisher.

“Dangerous Pass,” Journals, SF Scenes, Talk & Panel

Monday, April 20th, 2015

Today’s eye candy, my latest painting. This one took me about thirty hours, a lot of layers and detail.


“Dangerous Pass” oil and acrylic on canvas, April, 2015, 40” x 30”. Click for a larger version of the painting.

I painted Dangerous Pass to help previsualize a scene in my novel Million Mile Roadtrip. My chracters are on an endless world, and they’re migrating from one Earth-sized basin to the next. They have two flying mascots, one is a UFO named Nunu, the other is a blobby creature who calls herself Meatball. My party includes Villy and Zoe in front, being lovers, with Villy just a bit uneasy, and Villy’s younger brother Scud is in back. The cadmium-red Scud is on the alert, and he’s noticing that the stones in this mountain pass are…alive. The composition and vibe of this painting were inspired by Peter Bruegel’s Conversion of St. Paul.

My 828 page book, Journals 1990-2014 is on sale now
* Paperback ($24.95) Amazon.
* (Kindle) ($4.95) Amazon.
* (Kindle and EPUB) ($4.95) via Transreal Books

And you can read a hefty free sample of the Journals as an online webpage.

I’ll be giving a one or two hour talk on the Journals at the so-called “College of Santa Cruz” group on the 3rd floor of the Logos Books building on Pacific Ave in Santa Cruz at 7:15 on Friday, May 1. The door is in the back of the building. Talk title, “Rewriting My Past.”

Oh, and another upcoming event, on Friday, April 24, I’ll be on a Cyberpunk Panel at the University of Southern California in LA. Bruce Sterling, Marc Pauline, and other fellow droids will be there too.

We spent Easter with our son Rudy Jr. and his family. Got a nice big collection of eggs. And endless line. Love the bare feet in this photo, so human.

We also went to our grandson’s third birthday party at Rudy’s house. They have a toy plastic play house and they put up a towel so the kids could “fish” by holding a line over the towel and getting, maybe, a kid-drawn paper fish in the clothespin at the end of the line. This image is like a Fairyland tollbooth.

Sylvia and I stayed in downtown SF for two nights for my 69th (!) birthday. At the cute Hotel Boheme in North Beach. We hit the recently refurbished Coit Tower. This mural is bird related.

Another shot of son Rudy’s patio. I like the plants and the toys. It’s like a diorama of life in the early 21st century. All the picture needs is people.

The top of Coit tower has a nice open feel, with high arches and the open sky. Some of the little windows around the bottom open up and you can breathe in that high ocean-scented air.

Branches on the floor of an old growth redwood grove. Like calligraphy.

We saw this on another trip, this one up to Occidental, CA—a spot I’d never visited, between Sebastopol and Bodega Bay. A friend of mine, Roger House, and his wife Marylu Downing let us use their AirBnb cabin for two nights. (More photos of this trip in a later post.) I got to know Roger as he proofread the Journals. He has a great eye for typos. And another of my friends, Michael Troutman did copy-editing and fact-checking, helping to get the proper names spelled right, as well as picking up the remaining typos.


View from Coit Tower. Click for a larger version of the panorama.

SF really isn’t a very large city, but it’s a gem.

I always like getting out of the house.

It’s good to finally have the Journals done.

Mojo Working. JOURNALS Funded.

Tuesday, March 31st, 2015

I got my writing mojo back, returned from the underworld one more time, and I’m busy with my next novel Million Mile Roadtrip again, piling on the eyeball kicks, the unlikely incidents, and the rude dialog. Having fun with it. Kicking with my third hip. Like a Puppeteer, if you remember those three-legged guys from Niven’s classic Ringworld.


Here’s my current design for the cover for my Journals. You can click on it to make it bigger. I made it to the fundraising goal for my Kickstarter drive a couple of days ago. Many thanks to you kind and generous souls out there.

The odd thing is that, financially at least, I do better by self-publishing my books and running Kickstarters for them. Which is not to say that I might not go back to a commerical publisher for Million Mile Roadtrip — which is meant to be a book that can sell into the young adult market. At least that’s what I think, but publishers have been known to disagree with my judgements! I’ll have to see what happens. Even if I do have a commercial option for it, I may ultimately go the Kickstart / self-pub route anyway. In any case, Million Mile Roadtrip won’t be done till late this fall at the earliest. My characters are still just fixing up their car and they’ve got…a million miles to go.

Last week my wife and I hit this ancient North Beach bar called the Saloon. They have live blues there all the time and real x-section of people…not techs and yups all that much. Brown people in the mix.

I loved this one Hawaiian couple sitting at the bar near us. At some point, with no change of expression, the woman gets up and starts dancing—or, rather, making ritualized dance gestures with her arms, forearms up, forearms down. Love the dance gesture.

The band (Johnny Nitro and the Doorslammers) played one long, mostly instrumental, song with the chorus, “I’ll take you there,” and indeed the music did take me “there” to a land of peace and zonkfulness and clear white light.


“Saucer Hall” oil and acrylic on canvas, February, 2015, 30” x 24”. Click for a larger version of the painting.

And then I turned around and used that song/experience in a new chapter for my novel called “Saucer Hall.” I love it when the real world snaps right on top of whatever I’m writing. The muse in action.


Contact sheet of some images to appear in my online Photo Supplement for my JOURNALS. Click for a gigundo zoomable version of the sheet.

If I can raise a little more dough for my Journals, I’ll put in the time to make an online photo supplement with lots of photos to plug into the text.

At this point in tech, it’s not practical to put the photos into the paperback/hardback or into the ebooks. For a print book, it makes the books too long and too unwieldy to edit, and for the ebooks, it makes the file too big to comfortably download. So I’ll just figure out some kind of web site design for posting the images.

Saw all these people digging for beach glass in Davenport, CA, last month. Like sea turtles laying eggs. Maybe the beach was, in the old days, a dump? (Thus the profusion of glass.) Always interesting to see a crowd of humans intent on something like this.

Hadn’t been to Davenport in awhile. Love the water-sculpted rocks, and the patterns of the seaweed. Mother nature, always the greatest artist of all.

Podcast #83. Rudy Rucker discusses THE HOLLOW EARTH

Tuesday, March 24th, 2015

March 24, 2015. Interviewed by Robin Ince for a BBC Channel 4 broadcast on the theme of the Hollow Earth. Tape made in my home by Mark Mollineaux. Doesn’t include Robin Ince’s prompts, just my statements about history of the Hollow Earth concept and about my novel The Hollow Earth.

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