I link to this page from a new post on February 18, 2014. And I revised this page here, as well.

This post goes with another post, Ripping Vinyl to MP3s for iTunes.

[This post is illustrated with a sequence of non-computer-related photos that I took around Los Gatos and Santa Cruz recently. It’s been raining a lot lately, and now the sun is out, and today it was like a cool spring day.]

Prolegomena

This year I made a simple New Year’s resolution. I’d finally rip my vinyl to digital files. I’ve got a few hundred favorite old LPs in my living room, and I want to hear them on my iPhone.

I’ve been embroiled in this for a couple of weeks, and I’m going to write (at least) two heavily geeky posts about it. This, the first post, “Managing Music in iTunes for Free,” is on the general topic of organizing your music in iTunes, mainly focusing on the Windows platform. And the second post, “Ripping Vinyl for Free” will be about the related process of copying vinyl records into iTunes for use on your music player.

Let me state in advance that I’m a Windows user, and I am not a huge fan of iTunes, in terms of its feature set, user interface, speed and responsiveness. Ever since March, 2010, I’d in fact been getting by with using the Windows Media Player (WMP) in addition to a commercial plug-in that let me synch a Windows machine with an iPod. In some ways WMP is a better tool than iTunes, but I’m not here to argue about that today. Nothing’s perfect. [This pops into my mind a remark by Randall Jarrell: “A novel is a prose narrative of some length that has something wrong with it.”]

In any case, my old setup wasn’t compatible with my new iPhone 4, also there are a number of other things (like apps) that you need to synch with iTunes onto your iPhone. So I’m back in iTunes. Oh well. I’ve been around this track a few times before. And iTunes does have a pretty interface, that album-flip thing is cute. And I have to use it with my iPhone. So I might as well learn how to do it right. So I can rip my vinyl.

Free Tools

Over the years, and more so in the last two weeks, I’ve learned a few tricks about managing your music in iTunes. This information is not all that easy to find online. When you look for it on Google, most of the top-page links are to sites promoting feeble, kludgy commercial software. I downloaded trial versions of a few of these, and didn’t like them. They were slow, not all that good at what they were supposed to do, and they wanted, like, $39 to keep working after 100 songs.

With a little digging, I’ve learned how to do everything I needed for free. So I thought I’d note some things here, if only so I can easily find the answers when I’ve forgotten them in a year or ten. I am not going to mention or plug any commercial software at all in my two posts. And for that matter, I plan to remove or block any mentions of commercial wares from the comments on these posts. Real info from the people and for the people.

I’ve found two key pieces of free software for the Windows platform. Note that when I say “free” I use the word in the quaint old sense of “not costing anything to get and working forever without obnoxiously begging you for money.”

Tool 1: A free iTunes plug-in for Windows called. iTsfv , an acronym that stands for “iTunes store file validator.” This is one of the best pieces of free software I’ve ever seen. I have better results when I download the 2009 version 5.61 from from Sourceforge than trying to use the 2011 version 6.** from Google Code…the new version lacks a real interface. Not sure why the development process stopped…maybe they decided it’s “done.” It’s great for cleaning up your file names and file metatags. The one-touch validation tool does a lot for you. A confusing thing is that iTsfv only works when iTunes is open in a separate window, and if you want to work on some “selected files,” you select them in the iTunes window and then go over to iTSfs to do whatever chagnes you want. Sadly iTsfv runs only on Windows. I don’t know if there’s any free software that’s comparable for the Mac—possibly , GimmieSomeTune. Finally it’s worth noting that simpler fixes can be done by hand in iTunes, you select the files whose tags you want to alter, right click and select Get Info to bring up a dialog where you can alter tags or, for that matter, paste in an album cover image. You can do this to a bunch of files at once as well.

Tool 2: A free tag editor .  I use Mp3tag, which is free, and for Windows. This software lets you look up the titles of the cuts of an album’s songs, and allows you to copy these names both to the metatag and to the file name. This editor is also pretty good at finding album art, although, as I’ll mention later, you can fix the album art pretty easily by hand using Google image search.

The iTunes Architecture

I find it useful to have a mental model of what’s going on inside my machines. I think of there as being four different kinds of information involving your music when you use iTunes.

(1) The directory structure of the audio files saved on your hard drive.

(2) The internal data base that iTunes builds. You can’t see the database directly, but you see it indirectly in terms of what’s displayed in your iTunes window.

(3) The “metadata” tags embedded in your audio files. These so-called ID3 tags hold info like the song title, the artist, and possibly an image of the album cover.

(4) The album art.

In the rest of this post, I’ll make some comments about each of these four areas.

(1) Music Directory

I’m suspicious of less-commonly used file standards like the AAC format—which generally isn’t playable on generic music players. So I use the more widespread MP3 format. A win with MP3 files is that you can find good freeware editors such as Mp3tag for tweaking their metadata fields—which we’ll get into later on.

Do note that the iPhone, iPad, and iPod play MP3 files just as well as they play audio files in the proprietary Apple AAC format. There is absolutely no downside to using MP3.

If you want to convert existing AAC files to MP3, you can often do this using iTunes, and in fact a few years ago I did that to a lot of my files. But, as Peeter points out in a comment, it’s not really a good idea to convert from one lossy format to another, as it degrades the sound quality somewhat. So you might just switch to importing future files as MP3, and plan to work with a mix of the two kinds of files.

You set the rip and import as MP3 choice on the Edit | Preferences | Import Settings. Set it to MP3, and for the Setting, choose Custom…, which opens a dialog. The kps number determines how many samples per second you make of the music stream. In the old days I used 128 kps, but now I pick 256 kps, and turn on Variable Bit rate (which saves a bit on file size by using less bits on the simple parts of the songs) and choose Medium High or High for the VBR. We’re edging towards terabyte memory storage, and we can be generous.

It’s not at all useful to have your music files hidden somewhere invisible inside My Computer’s Settings files. You want your music files in an easy-to-find location so you can look at them, copy them, and, if you’re of a tweakerish nature, edit the file structure by hand. I make, say, a C:\Music directory on my hard drive, although I can put the directory somewhere else, too. I tell iTunes about this on Edit | Preferences | Advanced | iTunes Media folder location, where I set the iTunes media folder to be me Music folder. iTunes will store a few other things in there, but that’s okay.

Still in the Edit | Preferences | Advanced dialog, I’ve decided that’s wise to remove the checkmarks on the option “Keep iTunes Media folder organized (Places files into album and artist folders, and names the files based on the…song title)” The reason I turn this off, is that, if the option is on, then, over time, iTunes will repeatedly tinker with and in some ways degrade your Music file directory structure.

Along the same lines, you should avoid the File | Library | Consolidate action, which is about the same as importing the whole Music folder with Keep iTunes Media folder organized turned on—it will change your directory and filenames and may split some directories into several pieces.

And never ever use the File | Organize Library | Reorganize files option, which will copy the contents of your Music folder to a Music\Music subfolder.

Backing up a bit, note that, even when the Keep iTunes Media folder organized option is off, iTunes will still do something useful when you use it to rip CDs. Whether or not the option is on, when you rip a CD like Joe Moon’s Howling, iTunes will store the MP3 tracks of the CD in a folder like Joe Moon\Howling that goes into the Music directory.

Normally, compilation albums, that is, albums with songs by a variety of people, are all stored in subfolders of a Compilations folder—although iTunes isn’t always reliable in doing this. Keeping only multiple-artist albums inside the Compilations folder is the kind of thing that ultimately you may need to do by hand. And if the “Keep iTunes Media folder organized” is off, then iTunes won’t slyly and robotically trash your work

If you’ve edited your Music folder by hand—perhaps adding some files yourself, or moving the entire directory—you need to tell iTunes to import it, so the information goes into the iTunes data base. This is simple. Use File | Import Folder to import the Folders that you’ve changed. Doing this is almost instantaneous. If you have not turned off the “Keep iTunes Media folder organized ,” the action of importing these files will a change the directories’ name and some of the filenames.

By way of undoing iTunes depredations on your Music directory, note that, given a chance, iTunes will mangle the name of some artists or titles, in particular the “&” and “/” symbols are often replaced bye “_”. You can correct these directory names by hand.

Occasionally, iTunes will split a single CD across several directories. You can copy all the files into a single directory and delete the extra ones. Keep in mind that every time you’ve edited your Music folder by hand, you need to tell iTunes to import the folder again.

Another way to match your iTunes database with your Music directory is to use the the iTsfv Synchroclean command, where iTsfv is the free software mentioned above. iTsfv is useful in other ways for cleaning up your file names and directories. It also has a feature for removing empty directories.

Once you get your files and directories into perfect shape, it’s wise to mark them read-only to prevent some rogue ware from trashing the file structures and the painfully perfected metadata. You can do this by right clicking on the Music directory, or by letting iTsfv do it.

As another cautionary measure, if you have plenty of room on your hard drive, make a separate directory called Music Backup and simply copy the full contents of your clean and tidy Music directory into there.

(2) Music database

As I said, you don’t directly see the iTunes database, but you see the effects of it in the display. There are two kinds of issues here. One kind of issue has to do with the database being in some way out of date. The other kind has to do with the “metadata” or ID3 tag information inside the music tracks. I’ll talk about the music metadata in section (3).

If you’ve tweaked your Music directory and re-imported it, is that some songs may appear twice in the iTunes database, but one of the entries will be a “dead track” that is, a link to a no-longer-existing directory location. Or if you hand-deleted a folder of songs, then all those references will now be “dead tracks” in iTunes.

These entries will sometimes have an exclamation point icon next to them on the left in the iTunes display. But the exclamation point tends not to appear until you try and do something with the track, so they’re not always easy to find. And deleting them by hand is a drag.

I found an easy, platform-neutral fix for finding and removing dead tracks by Paul Mayne. Scroll down in his post to the September 2009, update, where he explains how to do it with two playlists, one smart and one static.

Even easier, if you are using iTsfv, it’s Synchroclean command will automatically delete dead tracks, as well as synchronizing your folder with your iTunes database.

(3) Music metadata

This is one of the biggest time-sinks involved in managing your music files. Each audio track has some fields of non-music data to hold such things as the album name, the album artist’s name, the track name, the track artist’s name, and possibly a jpg image of the album cover. These are often called ID3 tags.

Generally you will already have some tag information in your audio files—unless you’ve ripped your file from vinyl, but I won’t get into that yet today. With tracks ripped form CDs or downloaded, you’ll normally have tag information. But you may need to adjust it.

iTunes itself lets you edit the tags, although, in some ways the free Windows tool Mp3tag is better. Within iTunes, you can highlight one more more tracks and press Ctrl + I in Windows (or Apple + I on a Mac) to open the Item Information dialog. Or you can use the File | Get Info… menu selection to open this dialog, which will look slighty different depending on whether you are editing the tags of only one file or of several files at once.

Okay, so what do we use the metadata tags for?

Sometimes you have orphan tracks that are listed as belonging to Unknown Album by Unknown Artist. You need to edit the metadata tags for these poor tracks and fill in the info. Where do you get the info? Often you will in fact know this information, or be able to deduce it from listening to the track. Or you can ask iTunes to find the track info, but often as not, it snottily refuses to do this, saying that you didn’t import this file via iTunes (meaning, I think, that you didn’t buy it from Apple). Easiest of all, for a Windows user, is to open the files in Mp3tag, which, given the album or artist name, can look up the track info in one of several online databases like MusicBrainz and discogs.

Besides orphan tracks, another common problem is that a single album is split into two or more separate albums in iTunes. I found the answer in the Apple Support forums, a well-moderated non-spammy spot to look. The secret is to make sure that all the tracks in question have the identical information regarding Album Artist and Album. It’s not enough to set the Artist field, you have to set Album artist as well.

Normally giving all the tracks the same Album and Album Artist tags immediately merges the two blocks of album listings together. If it doesn’t merge this usually means that the Compilation field is set to Yes in some files and No in the others, and your need to uniformize this.

A related problem is that a compilation album like O Brother Where Art Thou may end up listed within iTunes as if it’s a whole lot of different albums. In this case you need to tell iTunes that the tracks do belong to a compilation album. There is a setting for this in the Information Dialog that call up when you highlight some tracks with the Get Info command. Make sure that every track in a compilation album has Compilation set to Yes, and that the Album Artist field is either blank (in which case iTunes will supply the “Various Artists” name) or is, if you like, set to the name of the album’s compiler, as in Richard Scorsese’s Blue’s Collection.

In setting the tags, note that you are free to alter the names of your artists and albums. Artists sometimes use different names, and it can be useful to adopt one default spelling. Or you might want to just list a group by the name of the leader.

Another issue is that album names are often too long to view on your iPod, names like Zappa’s You Can’t Do That On Stage Anymore Volume 5 Disk 1. I like these albums, so I gave them all names like On Stage 5-1 and On Stage 5-2. While I was at it, what the hell, I changed the album names from On Stage 5-1 and On Stage 5-2 into a single “album” (as far as iTunes can perceive) name On Stage 5.

I do all this by changing the tags, you understand, it doesn’t necessarily have any direct connection to the directory names inside my Music folder.

(4) Album Art

I haven’t yet mentioned the missing piece of information that concerns us perhaps the most often: the album art. To begin with, you can ask iTunes to search for the album art. And it will do this provided you have a free iTunes store account. Running the search several times often produces slight improvements. But, at least for me, there’s usually about ten percent of the albums that don’t get covers, or that get the wrong covers. [You can also search for album art with Windows Media Player. Unfortunately the two programs don’t store the art in the same places or in the same kinds of ways.]

You can preview the presence of track art in iTunes by pressing the fourth button from the left on the bar at the bottom of the screen. This is the “show or hide item artwork” button. If you turn it on, when you highlight one or more tracks, you see a picture of the cover in the lower left corner of the screen…or a gray note. You can drag or paste missing artwork right to this box.

The free Windows tool iTsfv is good at finding the files with missing artwork, and looking for new artwork online. If anything, the one flaw of iTsfv is that it tends to find rather high resolution images for you, and sometimes you don’t want to use up quite that much disk space.

Another way to find the tracks with missing artwork is to use a Smart Playlist defined by a condition like “Art is Missing.”

There is a very easy way to fix the artwork yourself. Just do a Google Image search with the album artist and name in the search box. You’ll find hundreds of images of the cover. Pick a decent-looking one, but don’t go overboard in terms of size, about 400 or 500 pixels across is usually going to be enough. Copy the image from the Google search page—I use a right click and a Copy Image to do this, but you can do this other ways. The image is then on your (invisible to you) clipboard, and you can paste it in. Or you can drag the image.

Where do you paste or drag the image? To that preview box showing the highlighted tracks’ artwork in iTunes

It’s sometimes the case that the album cover image (or information about where to find the image) is attached as metadata to only the first track on the album. This suffices to make the album cover image appears in the iTunes browser next to the album’s tracks. But it may be that the image isn’t attached to the other tracks in a direct way.

Actually, in iTunes the situation is much more complicated that I’m saying. iTunes likes to hide the album art in a cryptic maze directory in your music file called Album Art, you can read a little about this here, although this post is a little too forgiving of this user-unfriendly iTunes behavior. Windows Media Player just saves the art in readily visible form (but with a weird names) in the album directories.

I’m still a little shaky in my understanding of all this. I found an interesting post by a person called Decipher discussing how to make iTunes store your art in your music folders.

My impression thus far is that when I copy my tracks to an iPod or an iPhone, however, the iTunes “maze of images” is often ignored by the viewer, and every track has to fend for itself in terms of providing an image of the cover of the album it came from. So often only the first track of the album will show a nice picture on the iPod or iPhone, and the other tracks will just show a gray note.

If you care about this, you can mare sure the album art is attached as metadata to each track.

If one track on an album has an image but the others don’t, you might highlight the image and copy it to your clipboard. Then highlight all of the no-artwork tracks from that album, and paste in your image from the clipboard.

Is there any cost to putting the album cover into every file as metadata? Yes, the file gets bigger. A typical album cover image of good quality is going to run you about 200 kilobytes. And you can look in your Music directory and see that the a given mp3 music file gets 200 kb larger after you add the album cover image to its metadata. Doing the math, if you have a library of, say a thousand tunes, then putting album art into each file makes your library 200,000 kilobytes larger, which is 200 megabytes, or just under a quarter of a gigabyte. In a nutshell, it costs a quarter gig per thousand files to put art in every file. If you’re loading up with four thousand files, the covers cost you a gig.

This isn’t a problem on my iPhone, which has 32 gigs of storage. But it is a problem for my 8 Gig iPod Nano. It’s a sneaky problem too. To keep the size down, I have a playlist called “Rudy’s iPod Nano,” and I only copy that to my Nano. But then iTunes might tell me that the playlist is 6 gig in size. But when I go and try and synch this playlist to my 8 gig Nano, the synch won’t work, because there’s not enough room. That’s because iTunes only told me the size of the audio part of the tracks. You used to be able to get around this by telling iTunes not to put album art on a given device, but I don’t see that option anymore. So for now, given that I do want the art on my iPhone, I just live with slightly fewer tracks on my Nano.

Not that, in reality, I often look at either music-player’s screen.

Up Next

One final tip. When you get the files in your Music directory nicely organized, and with good metatags in place, savea back-up copy of the full Music directory to another folder or to another drive. It’s really easy to lose a great deal of your hard work with an ill-considered click on tools as powerful as iTunes and iTsfv.

Okay next week or the week after, I’ll post about “Ripping Vinyl to iTunes for Free”.

Enough of this for today! Hope some of this is useful to some of you.

I got an iPhone for Xmas, and I’ve been playing with it a lot.

My first photo with the iPhone, heavily Lightroom-treated to “fix” it. Me and my skug. (But which is which?)

I put about 10 Gigs of music on the iPhone, and am now dreaming of ripping all my old vinyl records, which would take days. I converted a bunch of my photos to the native iPhone image size of 900 pixels wide or high, at 326 pixels per inch (!?) and used iTunes to put them on the iPhone. I even found a site explaining how to put my manuscripts on it in E-Pub format, not that I’ll ever look at them, I don’t think.

And I got some apps. I’d been to an “augmented reality” conference in 2010, so I was especially interested in augmented reality apps, that is, apps in which a live video image of the world is overlaid with information or with game elements.

[UFO disguised as a princess cake.]

My favorite among these is AR Invaders. You see UFOs flying across your sky, or, for that matter, around your living-room. And you shoot them, twisting wildly back and forth to see them all through your iPhone screen. My son Rudy was really into it. “There are so many UFOs in here,” he said. “And nobody else can see them.”

My family and I were in the SF MOMA for about twenty minutes the other day—no longer than that, as we had four young children in the party. On the top floor they had a show of recent art. It’s rather rare to see any real paintings at all in an art show anymore, but there was a good one by Amy Sillman, “US of Alice the Goon.” I found a lot more of her paintings online with a Google image search.

I also saw a weird video by Ryan Trecartin. You can find a lot of his work online at this great avant garde art site, UbuWeb.

[This is the only other iPhone photo I’m posting today, all the others are from my Canon S90. This is just a picture of a folded blanket, and should not be confused with the story line in Duane Michal’s ribald photo series, “Take One And See Mt. Fujiyama.”]

The iPhone camera is, as my nephew Embry puts it, “a nasty little camera.” I am getting better at using it—learning to tap on the screen to focus, and to zoom in a little bit to reduce the fisheye effect. I tried some photo apps, including Hipstamatic and Camera+, but neither of them really seems to improve such basic weaknesses as speckling and distortion. You can fix a little of that in Lightroom, but, really, that’s kind of a waste of time—if you want a nicer looking picture, you want to use a nicer camera. The iPhone camera is handy, though, and it’s fun for making videos to be viewed basically only on the phone.

Speaking of cameras, I read an interesting article about digital camera sensors in the New York Times the other day. I like this article because it speaks favorably of the Canon S95 that I’m using as a pocket camera these days (well, actually I have last year’s model, the S90). These guys have larger sensors than generic digicams, although not as large as the high-end SLR digital ones.

What else? My article “Lifebox Immortality” is on the h+ Magazine site.

Now for New Year’s Eve and Day.

Have a great holiday! This is a long post, with some stuff to read, it may have to last you till 2011…

This month I made some imaginative efforts and finished the next chapter “Dispatches From Interzone” of my novel in progress, Turing & Burroughs. As I mentioned before, I wrote this chapter is in the form of letters from my Beat hero William Burroughs, some samples of which I put in my post, “Burroughs Letters, Tangier 1954-1956.”

Molding an SF action-novel out of William Burroughs letters is like collaging a landscape out of frames from the Sunday funnies. And I had to draw all those wacky little frames too. Or it’s like building an epic out of haikus. But I like the way the chapter came out. It’s funny, I think, and deep as well. You can read an excerpt down below, at the end of this post.

Right now I’m unsure of the upcoming story arc. To some extent I’m back where I was a month ago, when I wrote my blog post, “Skuggers”

It’s daunting how many scenes and ideas a novel needs. But I don’t have to write the whole novel at once. All I need now is to write the next chapter. So now what I need is to outline Chapter 8 fairly well, and also get some clear idea of what happens in Chapter 9. And the chapters after that will take care of themselves.

It’s a long process, after all. And there’s no rush. But that’s not exactly true. My sense is that I don’t feel as if there is a rush, then I might not drive myself hard enough to actually finish the book. Onward!

No, wait, Christmas comes first.

Anyway, in my “Dispatches from the Interzone,” chapter I did indeed get Burroughs to organize a trans-Atlantic skugger-star teep antenna, as I’d planned to. By the end of the chapter the construct falls apart and the individual skuggers go their own ways. And this is as it should be, because it would be too much of an onus for Turing to have a skugger-star tracking him on his road trip to Los Alamos.

It’ll just be regular cops chasing Alan, although, for a while, there will be more and more of them. We’ll see an ongoing attrition in the forces of control, as more and more of them will be converted into being skugs.

I realized today, it’s as if I’m telling the story of The Invasion of the Bodysnatchers, but I’m telling it from the p.o.v. of the pod people, and I’m viewing these alienated mutants as a positive force. Which is, after all, precisely what happened culturally as the 1950s segued into the 1960s.

If near the end of the book, I have Turing pulling the skugs up into a higher reality, it vaguely correlates with Tim Leary lifting the hippies out of politics and into Lotus Land.

And what happened then in the real world in terms of the culture wars. What aspect of reality might I transrealize into Turing’s final move?

I’m thinking of the internet as being the thing that resurrected political action. And it could be that Turing starts manifesting himself via the web. I could even go transreal for the last couple of chapters, and insert myself as an authorial character, getting messages from Turing in “real time.” Like there’s an astral blog site that only I and a few privileged others (such as the readers of this blog), can see. Maybe I’ll give you the URL in 2011…

Meanwhile, here’s an excerpt from the latest chapter. Burroughs is a skugger now, that is, a shapeshifting, mildly telepathic host for a symbiotic skug. And the British Embassy has engaged him to turn a basement filled with 64 captive Arab skuggers in Tangier into a telepathic antenna for tracking Alan Turing, who’s escaped to America. He knows one of the skuggers already, a youth named Driss.

The second day, Driss and the fellahs tell me they’re edgy at being in police custody. Only a few of them speak English or Spanish, but our short-range teep is working. The skuggers don’t wanna play ball. So I get the Embassy stooges to haul down a fifty-pound bag of refined white sugar. Everyone in the pit start feeling friendly.

The third day I double the sugar ration, and slime out some tentacles from my fingertips, plugging every navel in the room. Puppetmaster Bill. “Let’s all get soft,” I propose, teeping sexy images of mollusk reproduction. I chant whatever gone strophes come to mind, also feeding the skuggers’ real-time reactions into the mix. Feebdack feedback. The locals are easy-going people, if you give them a chance.

On the fourth day, even more sugar, also a carboy of olive oil. Everyone feeling festive—we shining and sticky with the sweet slick. I push my face against Driss’s so our heads merge. Plup! Feel real wiggy. I use my squiddy arms to gather ye rosebuds. And then we’re a starfish with a shared yubbaflop head on the Embassy basement floor, like the center of a wagon wheel.

I grow out a feeler with a lobster-eye to admire what we done. Our group face look like a gangland hit on President Eisenhower, a bald baby with slit-mouth scars and eye-puckers like bullet holes. Hopper and his boss upstairs are abreast of our session, they very pleased.

On day five, I engage three footmen to haul in hods of wobbly British pastries, barrows of dates, heaped trays of kumquats. The skugger fellahs are increasingly glad to see me. Great cheers. “Booo-rows! Booo-rows! Booo-rows!”

Driss and I plup our heads together, the rest of the gang piles on. We make a parabolic monster face, a dish-shaped teep antenna pointing towards the floor. We vibe our mind-rays through the watery gut of Ma Earth. You wave, we wave. Hopper is run a droopy tentacle down the basement stairs into my spine.

And then—lo! We pick up on Turing in Florida.

Happy X and a Great Y!!!!!!

Raining here this week. I love the rain. Everything gets green, including the moss on the trunks of the oak trees.

My son Rudy put a skylight in his living-room. It doesn’t leak!

I’m playing with Lightroom all the time. Used a blue filter on this color picture to kill the overbrightness of the light fixture.

I’d like to be reborn as a crow. People used to imagine that animals work really hard to get enough food each day. Turns out, they can fill up with about an hour or hour-and-a-half of pecking. The rest of the day is for hanging out. Cawing and flapping. And no computers.

We took two of our grand-daughters to this funny old place in Oakland called Fairyland this week. It’s very much a home-brew folk-art construct. When I was a boy in Kentucky, there were lots of places like this. Disneyland didn’t exist yet.

We even saw a puppet-show of Cinderella. I always wondered about the glass slipper. Would it be comfortable?

We hit a science museum the week before. “How many bones?” This sign made me laugh, remembering an Underground comic strip years ago that started off, “I’d just smoked two big bones of the good old green and…”

The year’s dwindling down. Around this time it gets to be hard to remember what day of the week it is. The calendar breaks and falls apart. And we take a little rest among the ruins of the decaying year, making merry with our relatives and friends.