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Author Archive

Podcast #45. JIM AND THE FLIMS, San Francisco. EFF at 111 Minna.

Monday, March 23rd, 2009

March 23, 2009. Rudy reads the first chapter of his novel in progress at an Electronic Freedom Foundation benefit at the 111 Minna Gallery in San Francisco.

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Yellow Vines

Thursday, March 19th, 2009

[Reminder: I’m in a group reading in San Francisco on Monday, March 23]

I finished a new painting today, “Yellow Vines,” acrylic, 18” by 24”.

I’m thinking about these alien beings, the jivas, from a world called Flimsy, and the jivas have very long tails. But this is in fact a more or less accurate nature painting, based on a really big vine I saw on an oak tree at the far end of the Lexington reservoir.

I took a picture of it last month on a rainy day, and I was struck by the contrast between the pale vine and the damp bark. And I love the 3D curve of the vine.

I went back a week or ten days ago, and it wasn’t so rainy anymore, so the contrast wasn’t so high. I lugged my paint kit in there and started work on a picture. This photo is patched together from I think four smaller photos, Photoshop CS3 is really good at automerging photos. I noticed a vine on the left I could put in the picture, too, and further to the right was another vine I decided to bring in.

So my first draft of the picture looked like this. And then I spent a week making the trunks more three-dimensional, popping the color a little harder and working on the ground and the background. Layer after layer.

I’ve also been working on Jim and the Flims…it’s hard going, balancing out all the various constraints. Like, on the one hand, I want to have weird and surprising things happening, but on the other hand, I want to build up the characters as solid and believable by sometimes letting them just hang out and talk about ordinary things.

I saw this weird alien doll at my son Rudy’s house, he’d sewn together a stuffed baby-doll and a stuffed dog.


Painting (C) Vernon Head, 2009, possible title: “Tentacle Lake.”

My friend Vernon Head came over to paint with my last week. He’s a very skilled painter—he can knock out a gorgeous watercolor landscape in an hour. He felt like trying something different, so he added an SF element to his picture, like I often do.

I had a nice hike at Big Basin Park with my friend Emilio. This time I didn’t get off the trail and lose my glasses!

My artist friend Dick Termes is mounting a show of 50 of his paintings on spheres at the Dahl Arts Center in Rapid City, South Dakota, with a reception on Friday, March 20, 2009. Here’s a cool video of Dick setting up the show.

EFF Reading with Doctorow, Rucker, Anders, Newitz

Saturday, March 14th, 2009

On Monday, March 23rd, 2009, the Electronic Freedom Foundation is holding a fundraising event featuring Cory Doctorow, Rudy Rucker, Annalee Newitz and Charlie Jane Anders reading from their latest works.

The event is at 7pm at the 111 Minna Gallery in San Francisco. Admission is $25 (because it’s a fundraiser), but no one will be turned away for lack of funds.

Expedition to Boulder Creek

Wednesday, March 11th, 2009

Last week I paid a visit to Nick Herbert, the sage of Boulder Creek. I always like to talk to Nick when I’m starting a book. He has such a unique way of looking at the world that I can usually glean some inspiration. The photo here shows him with his ghost partner from the alternate world.

When I took this picture were looking at the raging waters at the “Turkey Foot” where three streams meet: the San Lorenzo River, Bear Creek and Boulder Creek. “The existence of liquids is so surprising and unexpected,” remarked Nick. “Nobody could have predicted liquids from first principles. The gas and solid states, yes, but—liquids that stay in a cup? Amazing.”

We found a graffiti image of Cthulhu on a fence near the Turkey Foot.

Amazingly funky old cars in Boulder Creek. It’s where the beaters go to retire.

Cthulhu’s car was parked nearby.

Astonished, we repaired to Boulder Creek’s only remaining coffee shop, Jenna Sue’s cafe. They have good pastry, and a small yarn mola artwork on the wall.

Nick was in his element, merging into quantum wavicles, incalculably strange and wise.

Finally the rains cleared and the King of Oaks called to me from on high.

Two worlds, two trees, always present. In Flimsy everything is a plant or animal, with no machines. And everything can talk—just like here.


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