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The Big Aha. (More Brussels Pix.)

Wednesday, January 4th, 2012

Today I’ll post some more pictures of Brussels, with comments. And in the main text I’ll put some notes towards a novel I’m trying to start. The book’s title is probably The Big Aha. I’ve blogged some of this material before, but I’ve been polishing and recofinguring it, so here we go.


[“Avis” means announcement. The message of the skull.]

A certain kind of advance could lead to a discontinuous jump in ordinary human’s intelligence. I’ll be calling this advance The Big Aha.

There’s a tantalizing dream of AI workers that there may yet be some conceptual trick that we can use to make our machines really smart. The only path towards AI at present seems to be beating problems to death with evolving neural nets working on huge data-bases. We get incremental progress by making the computers faster, the neural nets more complex, and the data bases larger.

The SF dream is that there’s some new and exciting angle, a different tech, a clear and simple insight, a Big Aha?

And—the kicker—the aha would work for human brains as well as for machines. I’m in fact thinking of us finding the Big Aha for human brains, and then transferring it down to the computers. Intelligence augmentation, then artificial intelligence. Not that the AI really matters that much if we can really kick our own minds into a higher gear.

So what’s the Big Aha that I have in mind?

I’m liking the ideas having to do with quantum computation. At one point SF writers used radio as an all-purpose Maguffin, then it was radiation, then black holes, space warps, chaos theory, quarks…these days I’m liking quantum computation as a magic wand.

Every object supports a very intricate quantum computation. Think of a septillion or so particles hooked together by intricate forces, all of them vibrating. Clearly any object is a universal computer with a very rich range of readily accessible states.


[With John and Mickey Shirley in the Mort Subite (sudden death) bar in Brussels.]

Let me start thinking of my mind as a quantum computation. After all, my thoughts aren’t at all like a page of symbols—they’re blotches and rhythms and associations. Is there any communicable way to truly describe your real mental life?

Go back to the notion that your brain, like any physical object, is a quantum system. Quantum systems can evolve in two modes:

You’re in the smooth mode when you gaze idly at a menu, and you collapse to the chunky mode when when you decide what to order.


[The mascot or logo of the Mort Subite bar, the name is also a type of beer. The image is bit like the Tarot card of the Fool.]

Introspection tells me that this distinction is accurate. I do feel the continuous and the discrete modes of thought within my mind. Although, admittedly, it may not be that the sensation really results from my mind being a quantum computer, this is an interesting model to use. Quantum effects could indeed be active in my brain. After all, the nerve cells have nanometer-sized structures, which are well within the range dominated by quantum mechanics.

Since I don’t want a branching universe or a multiverse, we have various minds or objects whose wave functions are either spread out or collapsed, not at all in synchronization with each other.

I get a visual image of something like a macramé. A tapestry made up of state functions that I see as being at some moments like spread-out ribbons and at other moments like narrowed down threads.

Although you may be in some peculiar eigenstate, I might be spaced out and mellow. But then it may be that one of us changes. A dance of pulsating wave function ribbons.

Where does the Big Aha lead us? I want to imagine learning to program objects directly. And we’ll call this hylotech, which relates to the word hylozoic that I talk about sometimes.

Hylo+zoic = matter+alive. I’ve been a hylozoist for many years now—believing that every object is at some level alive and conscious.

It feels good to accept that a rock or a chair is alive and conscious. And then we’re not lonely fireflies of mind in a vast dark warehouse of dead machinery.

How do you really know, after all, what the internal life of a rock is like? The rock might be thought of as a fully ascended Zen master! Maybe it can in fact simulate my presence by using quantum computation and entanglement. But we don’t need to burden the rock with a quirky personality.

Here’s an edited and adapted passage where I discuss hylotech in my old book Saucer Wisdom.

Once hylotech takes hold, most of the objects in a person’s home can talk a little bit, and each piece of furniture has the intelligence of, say, a dog. They get out of the way if you’re about to bump them. They adjust their shape to whatever you say. They can change their patterns to match any design that you show them. But smart hylotech furniture has some drawbacks.

There’s a story about how a photographer’s family came home from a week’s trip to find that the furniture has been bouncing around the house laughing and bathing its tissues in the studio’s klieg lights, breaking all the dishes and running up a huge electrical bill.

The photographer steps into his harshly lit studio and catches his furniture going wild. A rambunctious over-amped armchair is howling like a coyote, the sofa is galumphing around in pursuit of a long-legged tea-table, the side-board is dancing a tarantella on shards of broken crockery, and six dining-chairs are clambering on top of each other to form a pyramid. He loads the rogue furniture into a truck and hauls it off to Goodwill.

In another home, a young woman’s disgruntled suitor kicks one of her chairs across the room — and the chair runs back and breaks the guy’s leg. A cat sharpens its claws on a couch, and the couch flings the tabby out the window.

Out for a walk with two of my fellow TEDx speakers. Programmer-entrepreneur Ken Haase and SF author David Brin.

More to come on The Big Aha!

Brussels Pix. Remarks on Blogging Ideas.

Tuesday, January 3rd, 2012

So I’m back from my stint on Charles Stross’s blog. I started with a post on digital immortality and went on to do a total of eight. I signed up to guest blog mainly as a way to promote the newly published US edition of my autobio, Nested Scrolls. And of course it’s an honor to work with Charlie.


[The awesome fountain in the Detroit airport.]

Today I’m going to be illustrating this post with photos I took during our trip to Brussels to give a TEDx talk in November. I’ll say a few more remarks about blogging, and I’ll bracket some notes on the trip beneath the individual pictures.


[There’s nothing like an irregularly-shpaed, fresh Belgian waffle made on a heavy iron cooker, quite unlike the frozen-and-heated straight-edged things you normally see.]

While blogging on Charlie’s Diary I posted some ideas about the novel I’m trying to get going, my working title is The Big Aha . Doing these early posts got me to polish my ideas and it makes the new project seem real.


[Chalk Space Invader icon on a restaurant’s discarded daily-specials blackboard. They’re everywhere!]

I get a heady, reckless feeling of working without a net when I post my ideas for novels that I’m still only vaguely planning to write. It’s like I’m flying in the face of the “don’t leave your game in the locker-room” adage. But I find it energizing, and a few of the comments are actually useful.


[Manikin Pis is one of the classic tourist attractions in Brussels. It’s nothing much, just a little statue of a peeing boy, supposedly set up by a happy father who’d found his lost child pissing at a particular corner. I’m posed like a degernate here with a vernacular copy of the statue—the copy includes, of course, a Belgian waffle.]

It’s not so much that readers’ comments show me how to build further on my ideas, it’s rather that they show me the objections to my ideas that will occur. And then I know to add material to disarm the objections from the start. And in doing this I end up clarifying my ideas.


[Lovely sunset down a long European street. I lived in Brussels for three months in the fall 2002 while I was working on my novel Frek and the Elixir and on my non-fiction tome, The Lifebox, the Seashell, and the Soul. I had a grant to lecture on the Philosophy of Computer Science.]

Charlie Stross says he gets about ten thousand unique visitors a day on his blog, Charlie’s Diary, while Rudy’s Blog gets about three thousand a day. Charlie’s readers are very vocal, so if post on his blog it’s a bit like posting on Boing Boing. You need to keep a level head lest you become dispirited by ignorant gibes from a tiny number of trolls.


[A cool spectrum of gloves on sale in the St. Hubert gallery in Brussels, one of the earliest shopping arcades.]

Trolls get angry about certain controversial ideas. Like the many universes theory, which isn’t a notion that I care to use, at least not in The Big Aha. I’ll say more about this issue in another post. It’s not that I think the many universes idea is absolutely wrong, nor do I think it’s inevitably right. I’m simply making an aesthetic decision not to use it just now.

Many trolls have a strong emotional investment in the idea of digital immorality. Idea for a humorous SF story: “A Day No Trolls Would Die,” the title taking off on the title of the young adult classic about a farm boy and his beloved pigs. Digital immortality becomes available—but only for those obnox and obsessed trolls! So who’s laughing now?

Anyway, most of the comments on Charlie’s Diary were very friendly and helpful, and it was pleasant to have these daily interactions going on. So thanks to all those folks.


[A street performer blowing giant bubbles for tips. Symbol of the creative artist!]

When I post about my ideas for novels in progress, I have to fight back my atavistic fear of people “stealing” my “ideas.” But by now, I know that they can’t, anymore than someone could record an as-yet-nonexistent song on the basis of some scribbled notes by the singer. And really there aren’t any completely new ideas in SF, any more than there are new chords or new situations. It’s all in how you arrange them and trick them out.


[The St. Hubert shopping arcade itself. I love the shadow.]

This week I’ve been working on the names for my characters in The Big Aha, and on an outline. As I start this long ascent, I find a haiku by Issa (1763-1837) in a great book that Gerogia gave me for Xmas, The Essential Haiku, edited by Robert Hass.

Climb Mount Fuji,
O snail,
but slowly, slowly.

Great stuff.

Moving to Charlie’s Diary. One Last Post From Bruges.

Wednesday, December 21st, 2011

Merry Christmas, ya’ll! I’ll be posting on Charles Stross’s Charlie’s Diary for a week or two. I’ll probably put my first post on Charlie’s Diary today.

Where am I? Inside which reflection?

Before I go off into Christmas and Charlie’s Diary, here’s a Rudy’s Blog post with images of Bruges.

Cool wires on the electric train lines in Belgium. Ambient abstract art.

One of the big things in Bruges is the canals. At one time, the town was linked to the North Sea via a river which then silted up, leaving the town as a literal backwater. And, ah, that early winter sunset over a canal.

I lover pictures of reflections. Imagine walking down these old stone stairs into the wobbly mirrorworld inside the ancient canal.

The upside of being a backwater is that Bruges was spared the brutal and destructive waves of war and redevelopment that convulsed the second half of the 20th Century.

The have a local beer called the Zot, or the Fool. Love it. Zot is like sot.

Lace is still big there, although one suspects that these days a lot of the Belgian lace is made in China.

Cool old Gothic banister that looks like a dog.

I love the God’s eye icons you see. The eye in a triangle in a set of rays. I think I described one of these in Hylozoic. The point at infinity.

Great old fountains with lion’s mouths. I like the medieval notion of turning everything into an animal. It’s all alive. Our future form of computation. No chips, no biotech, just quantum computing things.

You don’t need a weatherman to know which way the wind is blowing.

I’ll be back on Rudy’s Blog in early January. Until then I’ll be posting on Charles Stross’s Charlie’s Diary . And if you want more Rudy, don’t forget about my new autobiography, Nested Scrolls.

Journals: My Last Ramones Concert.

Monday, December 19th, 2011

All this fall, here in 2011, I’ve been busy editing some twenty years of electronic journal files which I’m planning to publish as an ebook called Journals, 1990 ”“ 2011, from my emerging Transreal Press in the early months of 2012. This book, Journals, 1990 ”“ 2011, will weigh in at about half a million words, really too long to appear as a print book. It’s maybe five times as long as my new autobiography, Nested Scrolls. Certainly the autobio is more of a shapely book, but I am finding some interesting stuff in the old journals.

At this point I have rather a lot of unused photos that I wanted to post anyway, so I’m going to mix a couple of them in with journal excerpts from time to time. Today we have an excerpt written in 1994. My last Ramones concert. Even though you’re dead, you’re still my friends.


“On My Home Planet,” by Rudy Rucker, 20 x 24 inches, November, 2011, Oil on canvas. Click for a larger version of the picture.

It was the Ramones final tour, and on March 9, 1994, I went with my wife and children to see them at the Warfield on Market Street in San Francisco. My son, Rudy, Jr. got thrown out during the first song for stage-diving, which seemed quite unfair, as he’d often stagedived at punk concerts before and everyone had thought it was fine.

I managed to stay in the pit till almost the end of the main set. Thanks to my fitness I could hang in there pretty long. Although today I like can’t lift my arms, they’re so tired from fending people off. Whenever it would be relatively quiet and I’d be near Joey, I’d yell “My Back Pages.”

The newest Ramone, C.J. the bass-player, is the one who sings that song, though I didn’t actually realize that when I was yelling to Joey. They were off key almost the whole time, but then Joey said, “Cheap acid, cheap show,” and, perhaps in reaction, their playing got better. They did about five more songs and left the stage and people are clapping, and C.J. and Johnny and Marky come out without Joey, and tear into yes “My Back Pages”.

I love the wall-of-sound quality to it. They’re like crucifying this old Dylan-folkie song on the wall of sound. And the words to the song are so great. “But I was so much older then,/ I’m younger than that now.” Too true!

For this encore, C.J. and Johnny had put on fresh dry t-shirts. C.J.’s T-shirt is like a circle with a picture of the Manhattan skyline. And over that is a big red SS in that lighting-stroke kind of jagged S. And Johnny is wearing a Charlie Manson T-shirt, and draped on either side of Charlie are his crazy woman followers, like Sadie Glutz, and Squeaky Fromme, and the t-shirt says “Charlie’s Angels.” Squeaky once tried to shoot Jerry Ford with a .45 automatic pistol, she’s still locked up. Charlie Manson and SS, ripping the sweet thoughtful sixties folksong “My Back Pages” to frikkin’ shreds.

It was one of the most awesome multimedia presentations I’ve ever grokked. I went back in the pit, and the wave threw me up near C.J. I had my glasses off so they wouldn’t get clawed off, but then I wanted to put them on to be able to see him, and there was a crowd-surfer over my head, and I was thinking, “I’m busy with my glasses, so just this once I’m not going to reach up and push the guy,” so of course he falls on my head. But I don’t think it did any lasting damage.

[You can’t really find a good video of the Ramones doing “My Back Pages,” although there is what looks to be an amateur video of it, with fairly weak sound, shot in Buenos Aires in 1996. Note again that Joey isn’t on stage for this number and C.J. is singing. But you have to imagine it about ten thousand times louder.]


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