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Archive for March, 2010

Flurb #9

Monday, March 8th, 2010

Flurb #9 is now live.

Flurb is a free online Webzine of Astonishing Tales, edited and published by Rudy twice a year. The previous issue of Flurb has gleaned seventy thousand unique visits so far.

Check us out at flurb.rudyrucker.com!
And return here to comment.

Many thanks to the wonderful writers who are helping to make Flurb possible.

The new issue includes a story by Danny “Groundhog Day” Rubin and mind-expanding surreal-SF stories by newcomers Christopher Shay, Kek, and Adam Callahan.

Plus Robert Guffey’s re-take on the King Kong mythos, a collage-cartoon-strip by Paul Di Filippo, a spooky nostalgia trip by old master Richard Lupoff, a disturbing author-signing story by Kathe Koja and Carter Scholz, and toothsome confections from newcomers Mari Mitchell, Jessy Randall, and Alex Roston—and a surfing tale of supernatural horror lifted from my as-yet-unpublished novel Jim and the Flims.

Dig in!

Flurb #9

Emotive Interjections

Thursday, March 4th, 2010

This morning I was working on amassing photos to accompany Nested Scrolls. I only have digital photos going back to 2004. So I’m hauling out some of our old photo albums and scanning pictures out of them. The process is very nostalgic for me, here on the brink of old age.


[I saw a UFO today. Sorry for the poor image quality!]

Nested Scrolls and Jim and the Flims are done, and I feel really good about that. I can kick back and write journal notes for six months or so. There are slight differences between journal notes, travel notes, and writing notes. The journal notes aren’t necessarily about anything significant in the outer world. They’re more like the free play of thought—and a way of finding out what I think and feel.

Today I went to yoga class. Still in my sweats, I’m typing in my laptop journal here in the Los Gatos Coffee Roasting shop. Daily life seems so precious. The cafe around me feels like a lovely reef in shallow water. We’re anemones, we patrons, mollusks, crustaceans, fish—splashes of life and color in the eddying and all-pervading fluid of the air. And our innards are aglow from the luminiferous aether, yas. I like the sounds and colors, and the shapes and voices of people. The ambient music sets up sympathetic vibrations in my nerves.


[The Canon S90 brings out the full gnarl of your favorite subjects!]

Two attractive forty or fifty year old women are sitting at the table in front of me, engaged in an animated conversation in Japanese. I like the way that foreign languages include expressive sounds that are different than ours. I’m talking about sounds that might play a role like our “uh, oops, hmmm, yuck, huh, aha, eek, heh, grrr, yum, ugh, er, yay, whee,” and so on. Of course I can’t be totally sure, but I feel like I can recognize the interjections because they’re inflected in a special way. Maybe “interjection” isn’t quite the right word—I’m looking for the technical linguistic phrase that means “a vocalization that carries emotive meaning even though it is not a dictionary word.”

When I was a grad student at Rutgers, I attended a seminar at the Princeton Institute for Advanced Study with a Japanese math professor, Gaisi Takeuti, who helped me with my thesis work in set theory. We became friends and I had lunch with him every week. I loved listening to him. He had this way of interspersing his somewhat rickety English with these great, deeply informative sounds, Japanese versions of emotive interjections.


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