{"id":3193,"date":"2011-05-03T12:50:43","date_gmt":"2011-05-03T20:50:43","guid":{"rendered":"http:\/\/www.rudyrucker.com\/blog\/?p=3193"},"modified":"2011-05-03T12:50:43","modified_gmt":"2011-05-03T20:50:43","slug":"munich-3-three-heavy-topics","status":"publish","type":"post","link":"https:\/\/www.rudyrucker.com\/blog\/2011\/05\/03\/munich-3-three-heavy-topics\/","title":{"rendered":"Munich 3: Three Heavy Topics"},"content":{"rendered":"

I\u2019m running out of Munich pictures, so you\u2019ll see some Lisbon pictures mixed in with today\u2019s post, which touches on three heavy or philosophical topics.<\/p>\n


\n[Creepy cat in Lisbon graveyard.]<\/p>\n

(1) The Germans are, as one would expect, very thorough, and very attentive to rules. One doesn\u2019t cross an empty street if the pedestrian \u201cWalk\u201d\u009d light isn\u2019t on. If I show my ID to a museum ticket-seller to get the senior rate, she\u2019s actually going to read the month, day and year of my birthday. When the woman in the grocery-store hands me my bag of food, she admonishes me to hold both handles of the bag lest I spill my purchases. Another woman advised me about how to heat up a Munich-style white hotdog without (auugh!) bursting it. But there\u2019s a cheerful, agreeable quality to all this, a kind of \u201cWe\u2019re playing this game together,\u201d\u009d attitude.<\/p>\n


\n[Balloon used for lamp fixture in Lisbon church.]<\/p>\n

Walking around, I keep admiring how attractive, tidy and cultured the Germans are. In the course of my life, I\u2019ve lived in Germany for about three years, and I\u2019m comfortable here. But, having been away for so long now, I\u2019m also sensitive to the sinister side of Germany\u2014I\u2019m referring of course to the Nazis.<\/p>\n

<\/p>\n

All three of my uncles were officers in the German army\u2014they had no choice but to enlist. My uncle Rudolf von Bitter died on the Russian front, the other two were captured and served time in Russian and English prison camps. My grandfather Rudolf von Bitter is said to have helped the underground resistance against the Nazis. The family sent my mother to America in 1937 so that at least one of them would survive the coming war.<\/p>\n

I\u2019m not blindly on the Germans\u2019 side\u2014 we even have a few Jewish ancestors far up in our German family tree, and if the Third Reich had gone on indefinitely, my relatives might have ended up in the death camps. Even so, it\u2019s not reasonable to assume that typical Germans are racists and heartless killers\u2014any more than it\u2019s reasonable to think the same about all Americans in the wake of Hiroshima, say, or My Lai.<\/p>\n


\n[A nice patch of wall in Sintra, Portugal.]<\/p>\n

But still. Why did <\/em>the Germans have to act so terribly in the Second World War? It\u2019s undeniable that the Nazis had huge popular support. I found myself wishing that it were somehow possible to change history so that the horror had never happened. I was wishing that my race could be cleared of blood-guilt.<\/p>\n

I talked this over with my cousin Rudolf. He, of course, has thought about these questions quite a bit. I\u2019ll condense and paraphrase his remarks.<\/p>\n


\n[Tiled Rossio Square in Lisbon.]<\/p>\n

\u201cIf you are accused of a crime, or if the group you belong to is accused, it\u2019s better to begin by admitting your guilt. Denial leads nowhere. Hitler is part of the German character. And, yes, we have our fine culture as well, for instance, Goethe. But to imagine that we could somehow keep the Goethe and get rid of the Hitler is a lie. G and H. Next to each other in the alphabet. I also think of Goethe\u2019s story, Der Zauberlehrling <\/em>(The Sorcerer\u2019s Apprentice); a meditation on the dark side of intellectual and technological power.\u201d\u009d<\/p>\n


\n[Chuch tile with holy candles in Lisbon.]<\/p>\n

No real answer.<\/p>\n

(2) Looking for things to do that didn\u2019t involve walking, I went to a concert in a former imperial church, a sequence of seven Haydn sonatas based on Jesus\u2019s \u201cSeven Last Words,\u201d\u009d these being the seven direct quotes of Him that appear in the Gosper of Saint Luke.<\/p>\n

My favorite of these is where the Good Thief says, \u201cLord, remember me when you come into your kingdom.\u201d\u009d And Jesus seems to agree with that, and says, \u201cVerily I say unto you, today you shall be with me in paradise.\u201d\u009d<\/p>\n


\n[German concert crowd.]<\/p>\n

I once had an interesting discussion of this passage with my old science-writer mentor, Martin Gardner. Some religious sects have take the exchange between Jesus and the Good Thief to mean that your soul isn\u2019t in fact immortal on its own, but is, rather, a pattern of information that God stores in His memory so that He can resurrect you. Sometimes the word \u201csoul sleep\u201d\u009d is associated with this notion, but if you try Googling or looking in Wikipedia, you find a bewildering gamut of variations on this (heretical by some lights) doctrine.<\/p>\n


\n[Me in Lisbon with a statue of poet Fernando Pessoa<\/a>]<\/p>\n

Keeping it simple, to me the Thief\/Jesus exchange suggests that the soul can in fact be represented as software, that is, as a pattern of information that God (or a sufficiently large computer memory) can store.<\/p>\n

“Remember me!”<\/em> What a great request.<\/p>\n

<\/p>\n

(3) On my last day, I rode Rudolf\u2019s bike to the Neue Pinakothek, <\/em> a Munich museum with 19th and early 20th century art. The Neue Pinakothek <\/em>had a nice Ferdinand Hodler, shown above, and a couple of good van Goghs. Studying his works in awe, I started thinking it might be fun to try some paintings in which I use enough extra paint to build up an impasto relief of brush strokes.<\/p>\n

I always wonder why van Gogh killed himself. Wouldn\u2019t you be happy if you could paint that well? I guess he was out there alone on some kind of unbearable edge. It\u2019s hard to visualize just how crazy some artists are. It occurs to me to do an SF move on van Gogh\u2014that is, to imagine a future kind of art with its own kind of crazy artist. The notion of future art forms fasinates me.<\/p>\n

<\/p>\n

I also noticed an Honore Daumier painting of some excited folks goggling at an onstage drama. Antonio Damasio argues in his book The Feeling of What Happens<\/em>, that the essence of consciousness is to have, get this, a mental image oneself watching one\u2019s life unfold. At level 1, we simply are em embedded in life, we\u2019re like the actors on the stage. At level 2, we can stand aside a bit, and see life as a spectacle. At level 3, which is where Damasio says consciousness kicks in, we are aware of ourselves as detached observers of life\u2019s passing scene. You\u2019re looking at the Daumier painting of yourself. As I discuss in my tome, The Lifebox, the Seashell and the Soul<\/em>, (see the online version of the relevant passage here<\/a>), all of Damasio\u2019s levels can, at least in principle, be modeled in computer software.<\/p>\n


\n[Egyptian style rings at Gold and Silver Market <\/a>in the Scwabing district of Munich. Like language tokens.]<\/p>\n

After the museum, I sat in their very pleasant outdoor cafe for a long time, eating while reading Raymond Chandler, The Big Sleep<\/em>, a book I\u2019d dug up at Rudolf\u2019s apartment\u2014I think his daughter had it assigned for her English class. After two and a half weeks, I was kind of done with doing something touristic every minute. I was edging towards the next level\u2014of simply living abroad.<\/p>\n

<\/p>\n

It had been awhile since I\u2019d read Chandler, and I\u2019d forgotten just how wonderful a writer he is. His use of language is exquisite, as in his thumbnail sketches of his characters\u2019 personalities. And his dialog is wonderful, rife with odd-ball 1930s slang\u2014probably nobody ever really talked that way, but the patois makes for a wonderful seamless level of discourse that holds his worlds together.<\/p>\n

From Farewell My Lovely<\/em>: \u201cI felt like an amputed leg.\u201d\u009d \u201c\u2026my bank account was still trying to crawl under a duck\u2026\u201d\u009d<\/p>\n


\n[Water works building near dam in Los Gatos, California]<\/p>\n

Chandler\u2019s slang reminds of the way that I often make up a standard slang for my SFictional worlds. I\u2019ve learned that it works best if the words in this alternate language are short, easily spelled, and easy to say, like the well-polished words in actual human speech. Sometimes one can repurpose an existing word, but it\u2019s often better to invent a previously unused word\u2014if you scratch around a bit, you\u2019ll find there\u2019s really quite a few good and usable syllables that don\u2019t happen to be standard English words. In picking a made-up word, you have to be keenly aware of the word\u2019s associations, that is, if it sounds a bit like some real word.<\/p>\n


\n[Theatiner church in Munich.]<\/p>\n

Anyway, my time in Munich finally ran out and, next step, next step, next step, I called a taxi to pick me up at 5 am to take me to the station to catch a suburban train to the airport, etc. And now polishing these notes, I\u2019m looking across my desk at our cozy backyard.<\/p>\n

Thank you, Cosmos! It was a good trip.<\/p>\n","protected":false},"excerpt":{"rendered":"

I\u2019m running out of Munich pictures, so you\u2019ll see some Lisbon pictures mixed in with today\u2019s post, which touches on three heavy or philosophical topics. [Creepy cat in Lisbon graveyard.] (1) The Germans are, as one would expect, very thorough, and very attentive to rules. One doesn\u2019t cross an empty street if the pedestrian \u201cWalk\u201d\u009d […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-3193","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.rudyrucker.com\/blog\/wp-json\/wp\/v2\/posts\/3193","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rudyrucker.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rudyrucker.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rudyrucker.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rudyrucker.com\/blog\/wp-json\/wp\/v2\/comments?post=3193"}],"version-history":[{"count":2,"href":"https:\/\/www.rudyrucker.com\/blog\/wp-json\/wp\/v2\/posts\/3193\/revisions"}],"predecessor-version":[{"id":3195,"href":"https:\/\/www.rudyrucker.com\/blog\/wp-json\/wp\/v2\/posts\/3193\/revisions\/3195"}],"wp:attachment":[{"href":"https:\/\/www.rudyrucker.com\/blog\/wp-json\/wp\/v2\/media?parent=3193"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rudyrucker.com\/blog\/wp-json\/wp\/v2\/categories?post=3193"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rudyrucker.com\/blog\/wp-json\/wp\/v2\/tags?post=3193"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}