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Archive for April, 2008

The Problem of Death

Thursday, April 10th, 2008

After I gave my talk at Sonoma State this week, I walked the Tomales Point trail at the Point Reyes National Seashore.

There are a number of active dairy ranches on Point Reyes; the park service maintains the buildings of an abandoned farm compound called the Pierce Point Ranch, and that’s where the Tomales Point trail starts.

The path is an easy, but exceedingly windy, walk — you go out and back along the northernmost spit of Point Reyes. The sandy ground was covered with yellow/orange poppies and clumps of purple irises. Rather than pushing straight to the very tip, I veered off the path and took my time.

I saw the local “tule elk” herd on the Tomales Bay side. And on the way back I walked on the edges of the bluffs on the Pacific Ocean side.

I love these sky/sea/cliff views; I can briefly forget myself and merge into the landscape. When I wasn’t merged, I was fretting about POD publishing of all things, thinking about Amazon’s recent greedhead move. When I’m between books, I don’t have the usual kinds of things to think about. I get a little squirrely when I don’t have an invented world that I’m partly living in, a shell that I’m growing around me all day every day.

At the end of day, even though I was exhausted, I made my way to McClure’s Beach, which is downhill from the Tomales Point trailhead.

The talk at Sonoma went well. I don’t think we managed to tape it. For a change, I didn’t use PowerPoint, and rattled on more or less extemporaneously about the ideas underlying my SF philosophy paper, “Everything Is Alive.” The students and teachers seemed to like it, and asked a lot of questions. Over the years, I’ve developed the skill of parrying difficult philosophical questions — if you’re a philosopher you don’t exactly have to refute a counterclaim, you only have to show that your own way of thinking is interesting enough to investigate.

I felt a little letdown after the talk, though. Is it that I miss teaching? No, I think it’s that I no longer feel like teaching or lecturing at all. I think I’m tired of explaining my ideas; that’s the nice thing about being a writer — you get it down in black and white for once and for all. When I speak, I often encounter blank incomprehension, which is a little unsettling to see. Like I’m from Mars.


[Photo by David Povilaitis]

But I will say that at Sonoma State, quite a few in the audience were in fact on my wavelength, especially my host John Sullins, a former student who’s now the chair of the Phil Dept, and my old pal David Povilaitis, who illustrated my book The Fourth Dimension. I learn a lot from the question-and-answer sessions, if nothing else, it’s good exercise, not unlike fencing — which Sullins happens to teach as well!

But at this point in my life, I no longer care very much if I can convince anyone or not. It’s like, at this point, my increasingly far-fetched ideas are art objects I’ve crafted, and it’s pointless to ask if they’re true. I’m fond of them, and I draw some comfort from them, and I like dramatizing them in SF novels — but I don’t want to put emotional energy into the task (which by now I know to be fruitless) of converting people.

As I mentioned my novel Postsingular at the talk, the subject of the singularity-maven Ray Kurzweil came up. There was an article in Wired last month which discussed about Ray’s obsession with living a long time. Ray actually sells pills online! Might the phrase “snake-oil salesman” have any relevance here?

The problem of death is like a koan: “Hi, you’re alive and everything is great. But you’re going to die and it’s all going to end. What are you going to do about that?”

I’ve been thinking about philosophy and the problem of death ever since I was sixteen — what set me off at that time was that I was in a potentially lethal car crash. After nearly fifty years of grappling with the problem of death, I’ve reached the point where I’m okay with it — that is, it doesn’t totally freak me out.

I enjoy life, mind you, and I go to reasonable lengths to stay healthy and to keep myself alive. I don’t want to die. But I’d like to think that I’ve learned to face the prospect with a certain equanimity and philosophical detachment.

The key move is to identify my “self” with something larger than my doomed meat body. I might, for instance, think of my “self” as extending into my descendents, or into the minds of my students and readers.

Even more lastingly, I can identify my “self” with the Ultimate Being that underlies the Cosmos — whatever that is. The big “I Am.”

This classic rubric for this philosophical move is to describe death as follows: “The dewdrop slides into the shining sea.”

Letting go of an obsessive attachment to your meat body is a source of liberation. If you’re totally freaked about your mortality, it makes for a weak point where the government and big business can get at you. They use the fear to control you. The subtext of the majority of ads and government propaganda is: do what we say or you’ll die.

It’s good to be alive today. That’s all I get (today), and that’s enough.

Brave words, mouth noises, but they have no real bearing on the ache of nostalgia that I felt driving south along the coast in the dusk, as if driving through my life, past the south end of Point Reyes where my son had his 30th birthday party five years ago, past Stinson Beach where the family and I gathered after my mother’s death thirteen years ago, through Muir Beach where I worked on the CA Lab software with John Walker twenty years ago…is it life’s transitory nature that makes it so painful and so sweet?

“Everything is Alive” Talk; Live Worms Show

Monday, April 7th, 2008


[My new cover painting for Spacetime Donuts, probably appearing as POD book this summer.]

Talk today: Monday April 7 2008, 5 p.m, Multipurpose Room, Student Union, Sonoma State Unverisity.

The Lifebox, The Seashell and The Soul, Dr. Rudy Rucker, Noted Author, Mathematician, Programmer and Life Hacker.

“Dr. Rucker is one of the original Cyberpunk authors and his prescient imagination never ceases to amaze. He has written numerous fiction and nonfiction works detailing the deep philosophical foundations of mathematics, artificial life, Artificial Intelligence, future technology and the meaning of life. Dr. Rucker will discuss his radical views on the future relationship between humanity and technology, presenting his argument that ‘Everything Is Alive’.”

Linkage: Link to the talk in PDF form.
Link to Gogle Map of Sonoma State University.
Link to Campus Map.

Also coming up this week:


[New painting by me, started at Four Mile Beach on Jan 14, 2008, “The Muse”]

A group show at Live Worms Gallery on 1345 Grant Street (between Green and Vallejo) in North Beach, based on the Caunes-Minervois Painting session with Glen Moriwaki in June 2007.

Paintings by our teacher, Glen Moriwaki, and the 5 artists who painted in Caunes: Kevin Brown, Paul, Barbara Hefennan, Rudy Rucker, Sylvia Rucker. As well as “The Muse,” I’ll be showing the Hylozoic triptych and “Minervois Awning.” [Images of these at my paintings page.]

Show Dates: April 8-12th.

Opening party Friday, April 11th from 5-7 p.m.

Talk at Sonoma State

Monday, April 7th, 2008

Monday April 7 2008, 5 p.m, Multipupose Room, Student Union, Sonoma State Unverisity.

The Lifebox, The Seashell and The Soul, Dr. Rudy Rucker, Noted Author, Mathematician, Programmer and aLife Hacker.

“Dr. Rucker is one of the original Cyberpunk authors and his prescient imagination never ceases to amaze. He has written numerous fiction and nonfiction works detailing the deep philosophical foundations of mathematics, artificial life, Artificial Intelligence, future technology and the meaning of life. Dr. Rucker will discuss his radical views on the future relationship between humanity and technology, presenting his arguiment that Everything Is Alive.”

Link to the talk in PDF form.

Map to Sonoma State University.

Campus Map.

Podcast #40. Interview: by Rick Kleffel, A Hole In Space?

Saturday, April 5th, 2008

April 5, 2008. Rick Kleffel interviews Rudy about a pending lawsuit trying to halt construction of a new supercollider — plaintiff fears the high energy collisions may pop a hole in space. Rudy talks about a similar event in his novel SPACELAND. Excerpts appeared on NPR, and on Rick’s Trashotron.com site.

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